Criterion's Heavy Damage to My Light Wallet
My 50% off The Criterion Collection Haul
Every July (and November), Barnes & Noble does their 50% off sale on all physical Criterion Collection releases. If you know me, you know that I have a massive collection that takes up an entire wall of the living room at home. I look forward to this sale every year.
I told myself I’d keep it to five this time, and that I did. So, here are my five Criterion buys for July:
Anora (2024) Dir. Sean Baker
Contemporary cinema’s foremost chronicler of American dreamers and schemers hustling on the margins of capitalist promise, Sean Baker, reaches new heights of mastery with this audacious anti–Cinderella story—a whirlwind neorealist screwball comedy with an aching heart. In an electric, star-is-born performance, Mikey Madison soars as Anora, an enterprising, ferociously foulmouthed Brooklyn erotic dancer and sex worker whose Prince Not-So-Charming comes along in the form of a Russian oligarch’s wild-child son (Mark Eydelshteyn). This is the beginning of a fractured fairy tale—also featuring standout performances from Karren Karagulian, Yura Borisov, and Vache Tovmasyan—that turns the cruel realities of class inside out. Winner of the Palme d’Or at the 2024 Cannes Film Festival, Anora confirms Baker as one of our preeminent auteurs.
Blood Simple (1984) Dir. Joel and Ethan Coen
Ethan Coen and Joel Coen’s career-long darkly comic road trip through misfit America began with this razor-sharp, hard-boiled neo-noir set somewhere in Texas, where a sleazy bar owner releases a torrent of violence with one murderous thought. Actor M. Emmet Walsh looms over the proceedings as a slippery private eye with a yellow suit, a cowboy hat, and no moral compass, and Frances McDormand’s cunning debut performance set her on the road to stardom. The tight scripting and inventive style that have marked the Coens’ work for decades are all here in their first film, in which cinematographer Barry Sonnenfeld abandons black-and-white chiaroscuro for neon signs and jukebox colors that combine with Carter Burwell’s haunting score to lurid and thrilling effect. Blending elements from pulp fiction and low-budget horror flicks, Blood Simple reinvented the film noir for a new generation, marking the arrival of a filmmaking ensemble that would transform the American independent cinema scene.
A Brighter Summer Day (2011) Dir. Edward Yang
Among the most praised and sought-after titles in all contemporary film, this singular masterpiece of Taiwanese cinema, directed by Edward Yang, finally comes to home video in the United States. Set in the early sixties in Taiwan, A Brighter Summer Day is based on the true story of a crime that rocked the nation. A film of both sprawling scope and tender intimacy, this novelistic, patiently observed epic centers on the gradual, inexorable fall of a young teenager (Chen Chang, in his first role) from innocence to juvenile delinquency, and is set against a simmering backdrop of restless youth, rock and roll, and political turmoil.
Paper Moon (1973) Dir. Peter Bogdanovich
Maverick director Peter Bogdanovich affectionately recreates the world of the 1930s Dust Bowl in this beloved, briskly entertaining chronicle of one of cinema’s unlikeliest crime sprees. Real-life father and daughter Ryan and Tatum O’Neal (who became the youngest-ever Oscar winner for her spark-plug performance) play off each other with almost musical agility as a Bible-hawking con man and the precocious, recently orphaned tomboy who falls into his care—and soon rivals her newfound father figure’s skill as a swindler. With period-perfect detail, glowing monochrome imagery by cinematographer László Kovács, and a memorable supporting cast (including the inimitable Madeline Kahn), Paper Moon is a witty, loving portrait of two natural-born hustlers on a road trip through Depression-era America.
Trainspotting (1996) Dir. Danny Boyle
A jolt of adrenaline shot straight to the heart of 1990s British cinema, this darkly funny adaptation of Irvine Welsh’s novel was a major breakthrough for director Danny Boyle, producer Andrew Macdonald, and screenwriter John Hodge. With live-wire energy and stylistic verve, Trainspottingbounces across the life and times of Mark Renton (Ewan McGregor), a Scottish heroin addict who, along with his misfit mates, gets high, gets in trouble, gets clean, and gets high again, all in a bid to outrun the banality of modern existence. Kinetically cut to an iconic soundtrack of techno, rock, and Brit-pop, this indie phenomenon chooses life in all its ugly, beautiful, terrifying exhilaration.